Notre boutique à Tampere en Finlande est équipée de machines et d’outils de l’époque argentique que nous utilisons afin de tester tous les articles avant de les mettre en ligne ou de les réparer si besoin.
Évaluation de la condition par Kamerastore Käyttökelvoton tai testaamaton Laite sopii lähinnä koriste-esineeksi tai varaosiksi. Heikossa kunnossa Laitteessa on käyttöön vaikuttavia vikoja tai puutteita. Ei merkittäviä käyttöön vaikuttavia vikoja tai puutteita. Įrinomaisessa kunnossa Nämä laitteet ovat saapuneet meille niin hyvässä kunnossa että ne eivät ole tarvinneet toimenpiteitä. Uusi tai huollettu Laite on käyttämätön tai vastikään huollettu. Seuraavassa taulukossa näet yleiset määritelmämme laitteiden kunnolle, alempana on tarkemmin avattu mitä ne tarkoittavat käytännössä eri kategroissa. Jokainen näistä ilmaistaan palloilla, yksi pallo tarkoittaa huonoa kuntoa ja viisi tarkoittaa erinomaista. Arvioimme laitteiden kunnon kolmessa luokassa optinen, mekaaninen ja kosmeettinen. Tämän jälkeen teemme mahdolliset huoltotoimet. Tampereen myymälässä meillä on ammattikäyttöön suunnitellut mitta- ja testilaitteet, joilla testaamme kaikki meille saapuvat tuotteet. Non testato o rotto: Un oggetto che useresti come soprammobile o come parti di ricambio Scadente ma utilizzabile:Un oggetto che potresti trovare in un mercatino Nuovo o Revisionato: Un oggetto che potresti trovare in negozio come se fosse nuovoĮccellente:Un oggetto che un negozio direbbe che non necessita di riparazioneīuono: Un oggetto che compreresti da un amico che l’ha utilizzato per anni con buoni risultati Ogni prodotto ha tre diverse valutazioni in una scala che va da 1 a 5 e che si basano sulle condizioni ottiche, meccaniche e di aspetto dell’oggetto (quando applicabile) Leggete la tabella sotto per capire le condizioni di valutazione dell’oggetto rapidamente, sotto trovate una spiegazione più dettagliata. Diamo un punteggio a ogni prodotto individualmente secondo i nostri risultati per dare un’ accurata condizione di valutazione. Here are a few photos I’ve made while getting used to using the camera.Qui nel nostro negozio a Tampere, in Finlandia abbiamo strumenti e attrezzature dell’era analogica che utilizziamo per testare tutti i prodotti che è possibile esaminare prima di inserirli sul nostro sito per la vendita. It’s a joy to use, and I hope to use it often. I’ve only had the camera for a week, and shot maybe a dozen sheets so far. And just look at that giant grip! 90mm, 135mm, and 240mm This means I can focus and shoot hand-held with any of them. All three lenses have lens-specific custom cams that allow for accurate focusing using the rangefinder. It came with three lenses: A 90mm Schneider-Kreuznach Super-Angulon f/8, A 135mm Rodenstock APO-Sironar-S f/5.6, and a 240mm Fujinon A f/9. Its build quality feels so far beyond that of my old Graphics that it’s hardly fair to compare them. Everything is solid and tight and moves like butter. The short version is that it’s as well-built and smooth as I’ve been told. I couldn’t be happier with the purchase.Īnd the camera? It was made in 1972 but looks and feels almost new. The gentleman who sold it to me included a stack of large format photograph books, negative sleeves, a cool Grafmatic film holder and a bunch of hand-written notes with details about many of the items. Basically, it was everything I’d need for handheld 4×5 work. The camera was recently CLA’d and had the bellows replaced with genuine Linhof replacement bellows. It was the camera, lenses, grip, viewfinder, cams, and film holders. Then one afternoon I spotted a Linhof Master Technika kit in one of the forum classified sections. My Speed Graphic has a light leak, though, so I haven’t been shooting much 4×5. Nonsense, I want to do hand-held, informal, environmental portraits. Maybe back when Weegee was doing his thing, but now it’s for sharp and super-detailed landscape and architectural work, mostly. This is not how large format is done today, though. I had the most fun shooting the Speed Graphic hand-held.
The problem I have with large format is that I hate tripods. The Wista was bit more serious, but it was such a beautiful wooden camera. Then a Speed Graphic, and finally a Wista Field Camera. My first 4×5 camera was a beat up Burke & James press camera. Are they really “the Leica of large format”? It’s one of those companies with a long history and a reputation for building some of the best 4×5 field cameras available. Anyone who’s dabbled in large format photography knows the name “Linhof”.
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